![]() ![]() While basic in scope, the dynamic section does a decent job when nothing special is needed other than basic dynamic range control.Īt the top of every track is a small, useful window that toggles between signal flow order, or controls for that channel. The onboard dynamics processor can be set to Leveler (low ratio with adjustable attack time), Compressor (adjustable ratio, fixed attack and release), or Limiter (with adjustable release time). Each channel also has an input trim (THANK YOU!), mute and solo buttons, a fader and dynamics section. Again, the EQ is part of the console feel and sound that Harrison is going after. They are relatively easy to use, but take up a lot of real estate and cannot be hidden. Every channel has bus assignments and a 4-band semi-parametric EQ that are always on display. The layout and look of tracks in Mixbus feels closer to an analog console than any other DAW I have used or seen. Amount of, and stereo placement of each feed, are fully adjustable. Whereas most analog consoles have group assignments and aux sends, those have more or less been combined here to feed the 12 mix busses. ![]() The setup of how the busses are fed by the tracks in Mixbus is interesting. The right side of the window displays the 12 subgroups, the main stereo group, and the monitor section (more on that later). The left side of the mixer window displays lists of channel strips, groups, and user-favorite plugins. Any latency here was either unnoticeable or didn’t affect the audio in any negative way. In practice, I only did this when a track needed extra little reverbs and delays. Should you need additional aux tracks for submixing or time-based effects, you must account for any incurred latency on your own. Harrison automatically accounts for the latency of all tracks feeding towards the submixes, and ultimately the stereo bus as well. The 12 subgroups are designed to act as submixes or time-based effects tracks. Harrison gives you an unlimited number of audio, MIDI, and auxiliary tracks, which then feed into a possible 12 subgroups and/or the main stereo bus. While there is quite a bit of flexibility in setup and routing, there is also a designated signal flow that is used: channels feed into subgroups, which in turn feed the main mix, like on a console. The other main window is the Mixer window. The right side of the window displays all session lists at a glance, such as tracks, busses, regions, snapshots, groups, etc. The left side of the window can display the currently selected channel strip, making work on all aspects of one particular track very easy. Tracks in the Editor window are laid out in the standard fashion. This timeline allows you to bounce out any pre-defined range, which is great for mixing live albums, or exporting a portion of a mix as a clip or preview. Many timeline lanes show common units (min:sec, bars & beats, timecode, tempo, meter, etc.), but there are also some very useful lanes such as Range. Across the top are the transport controls, editing tools, playback modes, counters, selection and song map. The Editor window is laid out in a mostly comfortable and familiar fashion. Sadly, there is no way to use the transport as a separate window, which would also be nice. Using a touchscreen as an additional monitor featuring this window would make recording and overdubbing with multiple musicians much easier to wrangle. Additionally, these meters have buttons for input, record enable, solo, and mute. One of my favorites is the meterbridge, a fully-sizable group of meters that can be set to a large number of metering standards used around the world, in broadcast, film, and music. There are of course other windows that can be opened. Like most DAWs I’ve used, Mixbus has a few different screens to work from, mainly the editor view representing our multitrack, and the mixer view, representing the console. ![]() It even supports sync for video and can lock up with other systems. All aspects of music making can be accomplished inside Mixbus this includes recording, mixing, sequencing, using MIDI tracks and virtual instruments, etc. While Mixbus may have analog dreams, it is still very much a full-fledged DAW in terms of its feature set. ![]()
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Stay connected and get things done with Microsoft 365 Word. ![]() ![]() ![]() Panasonic G9 + Laowa f/2.8 Ultra Macro 50mm, ISO 500, 1/400, f/7.1 Keep the Background Far Away Macro photography usually has blurry backgrounds because you need to be so close to your subject. Or, if you are a wildlife photographer and you are about to photograph a King Cobra, you may not want to get very close at all. Portrait photographers have to be especially sensitive to perspective, since getting too close to a human face will accentuate closer features like the nose. Besides that, getting closer completely changes composition and perspective. It exaggerates issues like camera shake and missed focus, making it harder to take sharper photos. Of course, getting closer also brings its own disadvantages. Let us see what happens if we move in closer, keeping other settings the same: Both of these shots were taken at 50mm at f/6.3, but I moved in much closer for the second It is a good technique to use when you don’t have a fast lens. The famous war photographer Robert Capa once said, “If your photographs aren’t good enough, you’re not close enough.” As it so happens, aside from often making photographs better, getting closer to your subject also increases background blur. Panasonic G9 + Laowa f/2.8X Ultra Macro 50mm, ISO 500, 1/125, f/2.8 Get Closer A relatively wide aperture of f/2.8 helps create this smooth background. Likewise for the newest 50mm f/1.8 primes from Canon, Sony, and others. For example, I was often hesitant to shoot the Nikon 50mm f/1.8G at f/1.8, whereas I would have no such hesitation with the Nikon 50mm f/1.8 S for Nikon Z cameras. Furthermore, as shown many times on Photography Life, a lens near its maximum aperture often exhibits less sharpness and more aberrations.Ī loss of sharpness at wide apertures is often the case with very fast portrait lenses, although recent designs are much better in this regard. Why is this? For one, the depth of field may be too shallow at wider apertures to cover your subject, even if you otherwise like how the blurry background looks. However, opening up your aperture wider is not always desirable, even if you’re after a blurred background. Such lenses can be more expensive than their counterparts, but you should be able to find some inexpensive f/1.8 or f/2 prime lenses for almost any camera out there. This means that “fast” lenses like f/1.4 primes and f/2.8 zooms have an advantage if this is your goal. Let us look at four photos at different apertures to see this effect: Four photos at 50mm with the same framing but different aperturesĪs you can see, wider apertures like f/1.8 and f/2.8 are preferable for creating smoother, blurrier backgrounds. All else being equal, a wider aperture gives a more blurred background. It is specified by the f-number, like f/2.8, which is the ratio of the lens’s focal length to the visible size of the adjustable opening. A lens’s aperture is the adjustable opening that controls how much light enters the lens. ![]() ![]() ![]() For example, sometimes NPCs would exit the gas station and just glide back to their cars. While for some players bugs may be a deterrent, I actually found the ones I encountered to be endearing and humorous at times. Now this is no Cyberpunk 2077 launch level of glitches, but there were a few that continued throughout my gameplay. The last aspect of gameplay that was quite pervasive were the bugs. Also, keep your shelves stocked and watch out for party busses! You never know when you’ll need to serve a line of 15 people in clown costumes. The fast paced nature really helped me stay engaged at times where the monotony almost took hold. I almost didn’t progress in the game because I didn’t want to hire an employee to help me. In doing so you get more and more business and soon find yourself running around from building to building. You can increase it by serving customers in a timely and accurate manner. Gas Station Simulator also has a popularity meter. As if the game was able to capture the feeling of having to work hard to achieve your goals instead of having them just handed to you. I was able to keep myself engrossed in tasks, keeping a watchful eye on the counters as they slowly increased, waiting for the next upgrade to become available. The challenges felt like just that–challenging. Throughout, you are met with hefty challenges to unlock the next iteration of your gas station. Photo of the party bus Pacing and Party BussesĪll that being said, the progression at which you can unlock upgrades suits the nature of the gameplay very well. But even then, they quickly lost their appeal and faded away into the repetition of the day to day. The only thing that would get me excited was an upgrade in which I could add a new venue or new decor to my gas station. While there is a variety of things to do, the repetition slowly took its toll and I got bored. However, as the days passed the tasks began to loose their luster. For an hour, with focus and dedication, I cleaned up every single piece of trash, tore wooden boards from my windows, and made sure everything was spotless. Once the tutorial is over, and the Dust Bowl is open to the public, these tasks become your day-to-day life. But through a series of email communications, you learn how to complete several key tasks such as cleaning, painting, collecting garbage, pumping gas, and stocking your shelves. He congratulates you and warns you there is a lot of work ahead. Upon arriving, you receive a call from your uncle. Photo of the gas pumping minigame Gameplay: A Bit Dustyįrom the beginning, Gas Station Simulator cleverly uses the minor story arch between your character and their uncle to tutorialize the tasks at hand. The point of the game is to complete tasks, and any heady storyline would not only be jarring, but would also detract from the point of the game–to restore your gas station in the middle of nowhere! This is a simulator game and the lack of story is actually a good thing. And when you can’t repay him in time (a scripted failure), your uncle ensures you pay one way or another. Through a series of communications with your uncle, you learn how to take care of the gas station, begin restoring it, and how to reopen it to the public. ![]() You sell your car to purchase a dilapidated gas station in the middle of no where. In fact, most of it takes place in the first hour or so of gameplay. This single phrase captures the whole essence of this game–a simulator game in which you must complete a variety of tasks and restorations to get your new gas station up and running. “Buy and restore a gas station in the middle of nowhere,” reads the caption on the launch screen while a gentle guitar melody plays in the background. 3) Graphics & Sound: Basic but Ambient Story: Welcome to the Dust Bowl ![]() ![]() ![]() However, AMRAP workouts can also be modified to fit the HIIT profile by adding in some rest. Because AMRAP workouts can tend to get long, the intensity of the workout may decrease. For example, if a workout is written to look something like this - 20-minute AMRAP of 10 push-ups, 10 sit-ups, 10 air squats and a 200-meter run - you will complete as many reps or rounds of that sequence as you can in 20 minutes. AMRAP stands for “as many reps/rounds as possible” in a certain time frame. Last up we are going to uncover what in the world “AMRAP” stands for and how it can be modified to be a HIIT workout. You will continue this pattern until the 20-minute mark, completing 5 rounds of each movement (5 rounds x 4 different minute-long exercises = 20 minutes). On minute number 2, you will complete 10 push-ups and then rest the remainder of the minute. On minute number 1, you will perform 20 air squats and then rest the remainder of the minute. An EMOM workout could be styled like this: If 20 air squats take approximately 30 seconds to complete, then you will have 30 seconds left to rest until the top of the next minute. For example, if there are 20 air squats that need to be performed in an EMOM style of workout, those reps would be performed on minute 1. This acronym stands for “every minute on the minute.” EMOM training means that you will work on a set amount of reps at the top of each minute and then rest for the remainder of the minute. This type of workout allows you to push at a very intense pace while providing 10 seconds of rest for recovery. Once you’re finished with the first exercise - in this case, sit-ups - you’d move on to push-ups and then air squats. In a TABATA workout of sit-ups, push-ups and air squats (20/10×8), one would do 8 rounds of each movement for 20 seconds of work and 10 seconds of rest for a total of 4 minutes of each exercise. For example, a TABATA workout could look something like this: It’s a type of HIIT exercise that applies 20 seconds of work followed by 10 seconds of rest for a set number of rounds. For many of us, those formats look like a crazy combination of letters and mostly like gibberish! So let’s break it down a little further and dive into these different types of HIIT workouts: TABATA HIIT can be programmed in several different formats, like TABATA, EMOMs, AMRAPS and more. It is any type of workout that alternates between intense segments of activity paired with a fixed amount of less intense activities or total resting time. But what does it actually mean, and how can it be beneficial for you? HIIT stands for high-intensity interval training. ![]() ![]() “HIIT” is a term that has skyrocketed in popularity in the past year. To help you get ready for the new workout opportunities coming to your wrist, Garmin ambassador and CrossFit athlete Baylee Rayl outlines different kinds of HIIT activities, the benefits of each, examples of HIIT workouts and more: Along with a host of other features, the new Garmin Venu ® 2 and Venu® 2S sport activity profiles for HIIT workouts, including preloaded HIIT workouts with on-screen animations and custom timers to help ensure that every second counts. ![]() ![]() ![]() ![]() Pollsters and pundits can guess and try to figure it out, but in the end, like in 2016, who actually turns out to vote can upend a lot of predictions. Election predictions always rise and fall on one factor: who turns out to vote.That could hurt some Democratic chances in districts where Democrats are looking good. One reason Democrats might have more trouble than people are thinking is because 2016 showed an unprecedented rural vote in areas not seen before and President Trump is very good at mobilizing that population.Since many congressional districts heavily lean Republican, while a smaller number are heavily concentrated with Democrats, there could be elections in which the popular vote is with Democrats, but the House stays with Republicans.Democrats are in danger of being overconfident because so many congressional districts have been drawn to favor one party in a practice known as gerrymandering.Hillary Clinton won the popular vote but lost due to the results state-by-state and district-by-district, and lost in the Electoral College. The 2016 election taught us that it’s not the macro picture but it’s the micro picture that counts. First, I have to applaud the voters of Maricopa County who. Go to the Department of State's website to find your polling place. This methodology was tested during the Midterm Elections, both in the Primary and the General. Pennsylvania polling places are open from 7 a.m. Where do I vote What are my polling place’s hours Polling places can change, so be sure to check where you're going ahead of time. ![]()
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